Mr. Iturrino raised the glass for Picasso, the only
painter whom he admires and whom he envies
Picasso and Barcelona
Barcelona is key to understanding Pablo Picasso's pictorial evolution
(1881-1973). He arrived at the city with thirteen years, in 1895.
He did so with his family, after the father got a job as a
drawing professor at the School of Fine Arts of Barcelona
(popularly known as La Llotja). The personal involvement
Picasso had in order to bring to the city the first museum
dedicated to the artist is a clear example of this fruitful relationship.
The Young Ladies of Avinyó
The artist from Malaga liked to walk around Barcelona`s
old town. Day and night. One of the streets that most
surprised him was La Rambla and its surroundings. The visits to the cabaret
Eden Concert or the brothels on Avinyó Street are only two
examples. Already as a consecrated artist, he would return on the occasion of the
premiere of the Parade ballet at the Gran Teatre del Liceu in 1917.
He would arrive accompanied by his future wife: the Russian dancer Olga
Koklova. He designed the sets of the Parade company owned by
businessman Sergei Diaghilev.
Picasso and Miró
On the occasion of Picasso's visit to Barcelona in 1917, his
Barcelona friends organized a banquet in one of the
most prestigious restaurants on La Rambla: the late Lyon
d'Or (next to the Teatre Principal).
There, he was reunited with the basque painter Francisco Iturrino.
They had both exhibited together in Paris
in 1901. Joan Miró did not attend the banquet, although he would visit the
Malaga artist in the French capital in 1919. Miró brought him an ensaimada.
This was commissioned by Picasso's mother, who maintained a
close friendship with Miró's mother.